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The Silver Chair explores the concept of morality by depicting different characters’ struggles with their faith. C.S. Lewis’s definition of faith is heavily influenced by Christian ideals, and as a result, his characters’ sense of morality takes on a religious dimension. In short, moral behavior in The Chronicles of Narnia is dictated by the degree to which any given character follows the will of Aslan. Consequently, a character’s deference to Aslan’s rule signifies their moral purity.
Some characters, like Puddleglum and most Narnian creatures, symbolize unconditional faith in their approach to the world. Indeed, the Marsh-wiggle is characterized by his unwavering loyalty to Aslan and by his innocent point of view. The latter is framed as a moral virtue, because it enables Puddleglum to act with pure intentions. Even when he is unsure about the consequences of his actions, Puddleglum is willing to follow Aslan’s guidance without question, as is evidenced by his response to Eustace’s question of whether it is safe to untie Prince Rilian from the silver chair. He simply states, “I don’t know about that. […] You see, Aslan didn’t tell Pole what would happen.
By C. S. Lewis
A Grief Observed
C. S. Lewis
Mere Christianity
C. S. Lewis
Out of the Silent Planet
C. S. Lewis
Perelandra
C. S. Lewis
Prince Caspian
C. S. Lewis
Surprised by Joy
C. S. Lewis
That Hideous Strength
C. S. Lewis
The Abolition of Man
C. S. Lewis
The Discarded Image
C. S. Lewis
The Four Loves
C. S. Lewis
The Great Divorce
C. S. Lewis
The Horse And His Boy
C. S. Lewis
The Last Battle
C. S. Lewis
The Lion, the Witch and the Wardrobe
C. S. Lewis
The Magician's Nephew
C. S. Lewis
The Pilgrim's Regress
C. S. Lewis
The Problem of Pain
C. S. Lewis
The Screwtape Letters
C. S. Lewis
The Voyage of the Dawn Treader
C. S. Lewis
Till We Have Faces
C. S. Lewis
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