The Gilded Years

The Gilded Years by Karin Tanabe is a historical novel based on the true story of Anita Hemmings, the first black graduate of Vassar College. Tanabe's novel follows Anita as a brilliant young student, whose ambitions are thwarted by the segregated nature of higher education during the Gilded Age. In an attempt to gain status and follow her dreams, Hemmings uses her light skin to her advantage, passing as white to enroll at Vassar. Her dreams, however, become more complicated when she has to choose between her true background and the one that she has invented in order to get ahead.

Anita Hemmings's story begins in the primarily black, working-class neighborhood of Roxbury in Boston. A bright girl, Anita has limited opportunities due to racial tensions and segregation in schools, among other problems. To counter the limited opportunities she finds for herself in Roxbury, Anita applies to attend Vassar College, using her naturally light skin to her advantage. Passing as white, Anita attends classes at Vassar. While she is a talented student, her fear of being found out limits her ability to enjoy her life among the upper echelon of white society.

For the first three years of Anita's time at Vassar, she remains isolated, limiting her social events, not dating or exploring romantic relationships with any of her white classmates or their friends. In order to avoid suspicion and attracting attention as a loner, Anita joins clubs but remains aloof, choosing not to make friends, feigning disinterest in parties and outings, keeping herself distant, and thus safe, from the privileged people around her. Tanabe's novel, however, focuses most of its attention on Anita's senior year when things begin to change.



In her last year at Vassar, Anita is assigned to room with the most wealthy and popular girl in school, Lottie Taylor, a New York socialite and heir to a million dollar fortune. Lottie is bubbly, her personality contagious, and before long, despite their dramatically different roots, Anita begins to come out of her shell. Up to this point, Anita has maintained the lie that she is from a wealthy family in Boston. She and Lottie bond over their supposedly shared experiences growing up in the glitzy white Northeast. Anita quickly develops a codependent relationship with Lottie, and the two girls become inseparable.

Anita becomes increasingly obsessed with her reasons for passing as white – becoming more conflicted as she entrenches herself in Lottie's white world. While before, Anita was clear with herself that passing was not stepping away from her true race, but instead a means of getting an education she would otherwise not have access to, her life with Lottie makes her reconsider whether she wants to return to her old life as an African-American woman after graduation. This becomes even more complicated when Lottie introduces Anita to Porter Hamilton, a rich, handsome, and white friend with whom Anita finds herself falling in love.

The central conflict of the book comes with the betrayal of the friendship between Lottie and Anita; Anita is forced to question her own motives and what she wants out of her life. If she continues to pass as white, it means giving up her previous life, her time with her family, her roots, and perhaps most importantly, the belief that a black woman is more than capable of achieving as much as a white woman. However, returning to her previous racial identity after graduation means living with the limitations of life as a black woman in turn-of-the-century America.



Finally, Anita Hemmings's story is discovered, and her trick is exposed in newspapers across the country. This event, of course, inspired Karin Tanabe to write the book many decades later, to recreate the motivations and the experience of a black woman trying to live in a white world in order to fully realize her ambitions.

Karin Tanabe is the author of four novels: The List, The Price of Inheritance, The Gilded Years, and her most recent book, The Diplomat's Daughter, which was published in 2017. She is interested in history and the intersections of race and feminism in historical retellings. She lives in Washington D.C.