98 pages • 3 hours read
Silvia Moreno-GarciaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Mexican Gothic is a horror novel by Mexican Canadian writer Silvia Moreno-Garcia. Set in 1950s Mexico City and the burned-out mining town of El Triunfo, the novel is a horror-tinged thriller that explores the themes of The Feminist Gothic, Colonialism and Imperialism in Mexico, and Death, Corruption and Objectification in the House of Doyle.
The novel centers on Noemí Taboada, a socialite with aspirations to become an anthropologist who goes to El Triunfo to rescue her cousin Catalina from the Doyles. The Doyles are an impoverished family of English silver barons who have united with a sentient fungus to ensure immortality for the family’s patriarch, Howard Doyle.
The novel has garnered critical praise for Moreno-Garcia, a past winner of the World Fantasy Award. Mexican Gothic won the Locus Award for best Horror Novel, the Aurora Award for Best Novel, and the August Derleth Award. A Spanish version of the novel was published in 2021.
This guide is based on the 2020 Del Rey print edition.
The source text and this guide discuss sexual assault and rape.
At her father’s behest, Noemí Taboada goes to High Place, the country estate of the Doyles. She is there to help Catalina, a Taboada cousin who wrote to Noemí’s father requesting help in escaping from her the Doyles—her in-laws—and their house, which she claims is haunted.
When Noemí arrives at the house, the family treats her poorly. Florence Doyle, the niece of patriarch Howard, is cold. Howard, a bad-smelling and very elderly man, makes passes at and shares his racist eugenics theories with her. Noemí instantly falls into conflict with Catalina’s husband Virgil, the Doyle heir, over her desire to have Catalina evaluated by a psychiatrist, though Virgil grudgingly agrees to her demands. However, Noemí does find kindness and companionship in Francis, Florence’s son.
Over the next week, Noemí learns more about the tragic history of the Doyles, who came to Mexico from England in 1885 to revive their fortunes as silver mine owners. Floods, worker strikes, and two waves of a mysterious illness killed many of their workers, and the Mexican Revolution at the start of the 1900s ruined them. Noemí also learns from Marta Duval, a healer in town, that Ruth, Howard’s daughter, killed all the Doyles except for Virgil (then a baby), Florence, and Howard, whom she wounded. Ruth killed her family rather than marry her first cousin. Marta warns Noemí that the Doyles and High Place are spiritually corrupt and haunted by a supernatural evil and says that Noemí should leave. Francis tells her much the same when she confronts him with Ruth’s story.
Meanwhile, Noemí begins having increasingly bizarre dreams and hallucinations in which the house is alive, Howard and Virgil sexually assault her, and a spectral Ruth tries to reveal a terrible truth about the Doyles. Noemí begins sleepwalking and even ends up in Virgil’s room one night wearing almost nothing, much to Virgil’s pleasure.
Eager to help Catalina, who is a shadow of her former self, Noemí secures a tincture from Marta Duval, who claims the tincture will heal her. It doesn’t, and Noemí loses confidence in her plan to help her cousin. Noemí also feels less and less connected to reality as she stays in High Place. She eventually decides that she should leave and enlist her father to help rescue her cousin, but her plan to leave fails.
On what is supposed to be Noemí’s last night at High Place, the family reveals what Howard really is: an old creature who started out as a man 300 years ago. Deathly ill, Howard went to a tribe of people who worshiped using a golden mushroom that granted long life to those it did not kill. Something about Howard’s physical makeup allows him to exist symbiotically with the mushroom. Howard sacrifices several women (including his sister/wife) to create the gloom, an entity that holds all the Doyle memories, controls anyone who enters High Place, and allows Howard to transmigrate to the body of another Doyle man once his grows too old and corrupt.
Ever since then, the Doyles have married brothers, sisters, and other first-degree relatives to ensure their blood purity. Because Ruth refused to marry her family members, the Doyles need Noemí and Catalina to reinvigorate their line. Howard attempts to force Noemí to marry Francis. However, Virgil, who wants to take over the family, subverts this plan by allowing Francis, Catalina, and Noemí to kill Howard before the transmigration can take place. Noemí destroys the gloom, burns High Place, and rescues Catalina and Francis. The novel closes with her decision to risk the spread of the golden mushroom to pursue love with Francis.
By Silvia Moreno-Garcia
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