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The title indicates the central theme, with “High to Low” representing a Black person from a wealthy socioeconomic class (the speaker) and a Black person from an economic class absent of wealth (the addressee). As the speaker emphatically criticizes the addressee, the relationship is antagonistic. The speaker blames the addressee for the “troubles” of Black people (Line 2). Since class defines the identities of the speaker and the addressee, class is the reason for the conflict. The speaker tells the addressee, “[Y]ou talk too loud / cuss too loud / look too black” (Lines 4-6). Their behavior isn’t specific only to them but to their class as a whole. Thus, the “you” (Line 4) isn’t one specific person, but an entire class of people—the “low”-class Black people. Similarly, the speaker represents another group of Black people—those from the “high” class.
The plural pronoun “we” (Line 2) underscores the class rift. There are two instances of “we” in the poem. At the start, the speaker says, “God knows / We have our troubles, too” (Lines 1-2). Ostensibly, the “we” means Black people as a whole. Regardless of their class, Black people face violent, deadly racism. However, near the end, the speaker suggests that Black people aren’t a united “we” (Line 24).
By Langston Hughes
Children’s Rhymes
Langston Hughes
Cora Unashamed
Langston Hughes
Dreams
Langston Hughes
Harlem
Langston Hughes
I look at the world
Langston Hughes
I, Too
Langston Hughes
Let America Be America Again
Langston Hughes
Me and the Mule
Langston Hughes
Mother to Son
Langston Hughes
Mulatto
Langston Hughes
Mule Bone: A Comedy of Negro Life
Langston Hughes, Zora Neale Hurston
Not Without Laughter
Langston Hughes
Slave on the Block
Langston Hughes
Thank You, M'am
Langston Hughes
The Big Sea
Langston Hughes
Theme for English B
Langston Hughes
The Negro Artist and the Racial Mountain
Langston Hughes
The Negro Speaks of Rivers
Langston Hughes
The Ways of White Folks
Langston Hughes
The Weary Blues
Langston Hughes